Most of the time, the repute within the audiences who for the first time LIVE SHOW are pros and cons.Ĭapture the essence and spirit of the Japanese traditional Noh, Kabuki and/or Gagaku also wish to be more 'fine art'. ![]() Drummer most of them who learn drumming seriously knows how hard to play and screaming YOU! CRAZYYYY!! or somethin'.) what kind of polyrhythm, tuplet and/or polymeter is going but drive others confuse concrete abstraction or somethin'. Some rhythm-savvy guys could imaging, understanding, enjoy or LOL (i.e. Don't get me wrong, please., ONE-MAN Drum / Taiko so called Uchimono, Narimono or Hayashi instruments in Japan Traditional Art words / percussion only one-man performance and then create the weird percussive interval music but systematically constructed sound world. ![]() Mentions about Live, regularly invite only in secret club But I'm not mean play hard to get. Keep on going to learn more and more about the subject emphasis to the polyrhythm and/or tuplet. and then keen on, hung up on playing Drums and percussion. BUT, One day, Suddenly, on the spur of the moment, Shivaknen had been learner, apprenticed to the Master Katsuhiko Kawase he had been passed. Started to play music as a Guitarist, Funk, Fusion, Rock, even a Blues, in the first place. You might want to say in other words Japan Traditional Gagaku, Noh, Kabuki. ![]() Playing polyrhythm, complex rhythm, tuplet, Meditative, Japonisme Experimental, Taiko, Tribal, Contemporary instrumental, World fusion music with Guitarist heart but Percussion only. PP Shivaknen maybe an unfamiliar name to most, but the Drummer & Percussionist few and far between something special style of free improvisation music.
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